Saturday, November 10, 2012

I used to write :)

I used to write. With lot of passion. Reasonably regularly. But then it stopped. Why?

I observe that my energy/passion about a job (writing, singing, research) remains high until it gives me a feeling of exploring more of myself, doing things which I didn't do before (or knew I could do before). A sort of a treasure hunt. A wild one.

I wrote a lot. I pushed my boundaries. Perhaps there was a social value to those writings at that point of time. That kept me going. Then, I got rid of social reasons - went undercover sort of. Wrote for myself. Still not sure what slowed down the pace - whether if it was lack of excitement about penning down my thoughts (because they didnt seem that new/adventurous, didnt give me a kick post-publish) or whether it was lack of social connect after expressing myself or ....?

The same happened with singing. I adventured, pushed my boundaries a lot. Social appreciation was a prime motivator/booster, I think. But with time, I lost the romance of exploration. I was a regular singer by then, so either there were just ordinary songs, or songs too hard to attempt. I think the too hard to attempt category didnt exist earlier - nothing was too hard earlier :) I just used to try to wing a song if it caught my fancy. But even if it was not perfectly done, the sense of achievement was overwhelming.

In retrospect, it appeared to me that I didnt do justice to those songs - I could have worked harder and performed them better. The audience often gave feedback along those lines too, but I never listened - it was a joy ride. But, finally, I came to terms with my lack of seriousness about the art - I felt I should learn songs more carefully - and then, why just songs, why not learn classical properly instead of winging it? I guess that was the end of the adventure ride. :) I have tried to renew that raw enthusiasm again, without success till now - is it possible to spoof proper learning while keeping yourself entertained? :) Don't know the answer. Lack of social reward/appreciation is perhaps another reason.

Perhaps both writing and singing need me to sort of reinvent myself. I haven't been able to do that. Research has not been a victim to phase changes, thankfully. I've reinvented myself a couple of times and I think I know the trick there. For writing and singing, we have to see and try.

PS: Writing autobiographically, puts a part of you in concrete out there. Which you can see, observe, appreciate in a tangible manner. Putting it out gives you a glimpse, a mirror into (the vast, unknown) self. Perhaps that part would be lost if not manifested tangibly. Seems like a great loss, no? :)  More ironically (and this has been said cliche-times), parts of the self may be lost in this way, for lack of trying, without you ever knowing it.

Generalizing: perhaps all parts of the self would be slowly lost if not put out there tangibly. Then, there would be nothing to show for, nothing to feel good about, no calling to take yourself seriously as an actor. and then perhaps, no meaning to life. 

Sunday, May 13, 2012

satyameva jayate

again posting after long.

My mental dump on is Aamir's midas touch  really working on tv?

- is he trying to play a journalist? he's being dramatic, no? esp when he suddenly abandons all emotions and starts summarizing what the next guy spoke. yes, the show is toned down but all the camera-work is about teary-eyed people. cud be better, na?

- the two episodes have brought out hard hitting issues with pure candid, no doubt.
I wonder though (+ many other people) :
: we've been here before too, right? would the cynical urban classes take note, be really moved?
: the marketing is powerful, right from webpage to sms to fb to talk to aamir to the theme takeaway song.
but, really, how do you make it stay? like others, tweeting on fb? (aside:  IAC fb presence has disappeared now)
: so, I really can't judge/predict the impact this may have. but my intuition clearly dwells on the cynical side.

-  The second episode (child abuse) was a smash - new observers would be no less than shocked.  I hope the trend continues, at least in terms of candid, insightful presentation and selection of topics.

- I was wondering last Sunday, but now I'm convinced he's ahead of similar shows - gets very expressive victims to talk, a detailed complete overview of the topic, builds emotions nicely, shelling out so-called-taboo stuff is mainstream now  - few crib about it - he uses that to his advantage. Some of this may pre-exist in other shows, but then the combo of aamir+thorough presentation is unique.

- But, woefully, the insight/reason to make it last forever is lacking. Oh, where is that one idea sirji?

PS: here is the trail from a year before (and the many years before).

Saturday, October 15, 2011

rockstar

Main wohi. Tum wohin.
saans wohi, maans wohi (bad one!).

shrishti badal gayi, aasmaan palat gaya,
zameen ruki rahi, rooh wohin raha.

Eagerly looking forward to Rockstar as the album plays on. lyrics complete with the erratic non-conformist tone. a weird strain of wilderness. and I'm reminded of Imtiaz Ali, the coming of age, growing up theme. socha na tha, jab we met, .. , the kalaakaari of the creator, and how has grown well without losing the art-commerical balance. rockstar doesn't look like an easy thing to pull off for someone who started as innocent as socha na tha. and well, this is Mohit Chauhan full on - one time he was on the verge on being lost in history. here, he has a million hues.

jo bhi main kehna chahoon,
barbaad karen, alfaaz mere.

the above being said previously in thousand different ways. what i find interesting is the barb-aaa-d and alf-aaa-z. tere bin khali in kun faya kun is extremely familiar from an old song. which one? sheher mein is ticklish. i'd like to perform phir se ud chala. kavita krish is back with arr with tum ko - a beautiful song.